Just so we’re clear: 64 is the name of the model, not the year when that guitar was made! Still, the name is a clear allusion to the golden year of California guitar design, especially the uber cool models designed by luthier Semie Moseley, the man who created Mosrite.
The 64, made in Asia by a revived Danelectro, is one of the very few current reissues of the Mosrite, and it updates the classic design with a few welcome twists: the original clunky vibrato has been replaced with a Bigsby, the neck is much more comfortable and the bridge pickup is a dual lipstick humbucker instead of the original larger single coil.
Among the famous fans of the Mosrite who were delighted to finally be able to play the iconic shape during a show without having to adapt their playing to the original Mosrite weirdness, Joe Perry of Aerosmith has done a lot to make that model popular. He has extensively played it on stage with America’s biggest rock band, especially for the last song of their 2017 tour right before the encores, Dude (Looks Like a Lady).
On July the 8th, 2017, Aerosmith were playing in Tenerife, Spain, and Joe gave that guitar to Matt after the show. That beautiful moment was immortalized with a video, but there’s also Perry’s signature and doodles on the guitar to prove it. And there’s even a little bit of blood on it. It is Perry’s blood, so this guitar might allow us to make our own Aero-clone!
Main guitar: Gibson Les Paul Standard 1959
Compulsory listening: Sweet Emotion
The nature of a rock band is to become much more than the sum of its parts. Joe Perry is not the best guitarist in the world, his talent as a soloist does not qualify him as a virtuoso, but he’s the only one that can make Aerosmith sound like one of the biggest bands ever, a true powerhouse with huge riffs and undeniable choruses.
Perry started the band in Boston with bass player Tom Hamilton as early as 1970, then they were joined by Steven Tyler on vocals, Joey Kramer on drums and Brad Whitford on rhythm guitar. Whitford makes a perfect duo with Perry, since their guitar stylings naturally complement each other. Whitford is steady and meticulous. Perry is wild and savage. Their interplay is the cement of the Aerosmith sound, starting with the 1973 eponymous album, which includes a few classic songs like Mama Kin and Dream On.
The next albums are the stuff of legend: Get Your Wings, Toys In The Attic, Rocks and Draw The Line. Perry developped his trademark fat Les Paul sound and also integrated a few extra elements that spiced up the recipe and made their music original (the Bass VI on Back In The Saddle). The band’s songwriting became deeper and produced true anthems (Sweet Emotion, Walk This Way…), and Steven Tyler was perfect as the charismatic mad hatter he’s always been. The band was on top, but chemical abuse ended up destroying Aerosmith’s enthusiasm and the quality of their production became very uneven with Night In The Ruts in 1979. Perry eventually left the band and started the Joe Perry Project that released two albums, starting with the great Let The Music Do The Talking in 1980.
Whitford also left the band two years later and joined Perry’s band, the twin brothers of rock guitar started playing together again. This led to Aerosmith getting back together in 1984 and finding a way back towards success thanks to the rap / rock version of Walk This Way they recorded in 1986 with Run DMC. Permanent Vacation, Pump and Get A Grip followed with a slew of mega singles : Dude Looks Like A Lady, Rag Doll, Janie’s Got A Gun, Love In An Elevator, Crazy and Cryin’.
Since then, the band has been going strong, and Perry is still playing a mind-blowing collection of guitars, from Gibson to Fender and Gretsch, Danelectro, Chandler, Echopark, Trussart and many more.